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The motive in the second movement is influenced by pop music.The violin, about 30 seconds after the movement started, introduces a motive.Biographies and Program Notes Sang Mi Ahn Elliot Bark T. Beery David Biedenbender Judy Bozone Hsin-Lei Chen Brian Ciach Danny Clay Seth Custer Anthony Donofrio Paul Dooley Matthew Dotson Natalie Draper Zachary Fischer Christopher Gainey Jonathan Graybill Recep Gul Daniel Houglum Jennifer Jolley Peter Juffernbruch Laura Kramer Minpyo Kim Marc Le May Ching-Mei Lin Nebojsa Macura Carrie Magin Teddy Niedermaier Elizabeth Ogonek Asaf Peres Subaram Raman Chris Shortway Jonathan Sokol Kyle Werner William Zuckerman Sang Mi Ahn received her BM from Yonsei University in Korea and MM from Indiana University.She is now a doctoral student in composition at Indiana. This piece sets up a contrast between the realms of tonal and atonal sonorities.Boerma earned his Master of Music degree in music education from the University of Michigan, where he also studied composition with William Bolcom.

Boerma’s works have been featured in the popular series, “Teaching Music Through Performance in Band”.for alto saxophone and piano was a finalist for a 2008 ASCAP Morton Gould Young Composer's Award, and has been performed at the 2008 North American Saxophone Alliance Conference, the Fifth Avenue Presbyterian Church in New York City, the University of Michigan, the University of Minnesota, the University of Wyoming, and Malone University.Current commissions and projects include his master's thesis for orchestra to be premiered by the University of Michigan Symphony Orchestra, a piece for the 2009 Wisconsin Lutheran College National Honors Band Festival, and a piece for the Washington Kantorei.She has studied with Claude Baker and Don Freund and is currently studying with P. The strings play the more lyrical and tonal layer while the woodwinds and brass play the layer made up of atonal sonorities and fast rhythmic gestures.At the climax, the lyrical and rhythmic realms converge.

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