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Ivan el terrible documental online dating

It might have been a bit controversial, but what's the alternative?

"I'm proud of my time on Xposé, I had a great time, I stand over my work and I always gave 100pc.

"I was quite content to be gracious and say nothing about the show's sliding ratings and then this release from TV3 which is nothing short of breath-taking. The average audience for Xposé was certainly not 42,100 and a 4.7pc share when I worked for the show. Moving to half an hour should boost ratings anyway but it has not.

58,000 and a 6.5pc share is not a ratings boost by a long mile and again would have been a bad day at the office. No problem with fair reporting, would take it on the chin." She later told the Herald newspaper that the figures were construed in a way that she found "misleading, disingenuous and antagonistic".

It addressed reports that claimed the show had seen a huge ratings boost since the line-up was revamped.

"May I just set the record straight for the sake of decency and fair reporting," Aisling wrote.

We live in an age where we have to adapt fast, there's just no time for dilly-dallying.One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s. Read more » September 30, 2016 In anticipation of the fifty-fourth annual New York Film Festival, opening tonight, Indiewire has surveyed the must-see films playing in the revivals section, including Gillo Pontecorvo’s September 08, 2016 Few political films have remained as incendiary or as relevant as Gillo Pontecorvo’s The Battle of Algiers, which opened in Italy on this day fifty years ago. As violence escalates on both sides, children shoot soldiers at point-blank range, women plant bombs in cafés, and French soldiers resort to torture to break the will of the insurgents. Read more » August 09, 2011 Legend has it that an American moneyman agreed to finance Vittorio De Sica’s 1948 neorealist classic Bicycle Thieves with one stipulation—that the role of the common laborer whose meager capital . September 08, 2016 Few political films have remained as incendiary or as relevant as Gillo Pontecorvo’s The Battle of Algiers, which opened in Italy on this day fifty years ago. Read more » August 09, 2011 Legend has it that an American moneyman agreed to finance Vittorio De Sica’s 1948 neorealist classic Bicycle Thieves with one stipulation—that the role of the common laborer whose meager capital .

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